Born in 1894 in Denham, Buckinghamshire, Nicholson was the son of the painter Sir William Nicholson and Mabel Pryde, and the brother of Nancy Nicholson. The family moved to London in 1896 and Nicholson was educated at Tyttenhangar Lodge Preparatory School, Seaford, Heddon Court, Hampstead and then as a boarder at Gresham's School, Holt, Norfolk. He trained as an artist at the Slade School of Fine Art from 1910?C1914, where he was a contemporary of Paul Nash, Stanley Spencer, Mark Gertler, and Edward Wadsworth. Nicholson was married three times: firstly to Winifred Roberts (married 5 November 1920 at St. Martin-in-the-Fields Church, London; divorced 1938) with whom he had three children, a son Jake in June 1927, a daughter Kate in July 1929 (who later became an artist herself) and a son Andrew in September 1931. His second marriage was to fellow artist Barbara Hepworth (married 17 November 1938 at Hampstead Register Office; divorced 1951) with whom he had triplets, two daughters Sarah and Rachel and a son Simon in 1934 and third to Felicitas Vogler, a German photographer (married July 1957; divorced 1977).  Related Paintings of ben nicholson :. | Unknow work 57 | Orpheus and Euridice | Tiburon Housetops | A Paris Day | Portrait of a Man Holding a Skull. |
Related Artists:
Nesterov, Mikhail
Russian, 1862-1942 Russian painter. From 1877 to 1881 and again from 1884 to 1886 he studied at the Moscow School of Painting, Sculpture and Architecture under the Realist painters Vasily Perov and Illarion Pryanishnikov. Between 1881 and 1884 he worked under Pavel Chistyakov (1832-1919) at the Academy of Arts, St Petersburg. At the estate of Savva Mamontov at Abramtsevo he met the most influential painters of the period, then at the epicentre of the development of Russian Art Nouveau. Nesterov sought to combine this style with a deep Orthodox belief; however, in his desire to revive religious art he was influenced more by French Symbolism, particularly by Bastien-Lepage, than by old Russian icon painting. All of Nesterov's canvases are marked by a lyrical synthesis between the figures and their landscape surroundings, as in Hermit (1888-9; Moscow, Tret'yakov Gal.), which shows the stooped figure of an old man against a northern landscape of stunted trees and still water. The large oil painting Vision of Young Bartholomew (1889-90; Moscow, Tret'yakov Gal.) depicts the legend of the childhood of the Russian saint Sergey of Radonezh. A monk appears to the young Bartholomew (the future St Sergius) and prophesies a glorious future for him.
Niko Pirosmani
Pirosmani was born in the Georgian village of Mirzaani to a peasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He move with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
Renard Emile
French artist ,1859-1930